Hear for yourself: click the image to play mp3 file.
Have you ever noticed how tight the bends are near trumpet valves? Do brasswind lack clarity, or volume? Admittedly, the sound of the flute is more fragile than that of a trumpet (trumpet players may disagree), but it has been proven abundantly that we can make perfect wind instruments with tight and complex bent bores
soprano trumpet
Cecilia Oomes plays Syrinx by Debussy.
Cecilia Oomes, formerly with the Koninklijk Concertgebouworkest (KCO), now playing solo.
The recording was made October 20th, 2006 in the Nassaukerk in Amsterdam. Oomes played on a silver Jack Moore flute, fitted with a Flutelab headjoint #1105, Sterling silver with 14K gold lipplate and riser. The recording was done with a Shure 16A microphone and a Sony minidisc MZ-R70.
So how does the Swan Neck flute sound compare to a straight headjoint?
The turbulence near the embouchure hole is not dealt with as efficiently as in a straight flute. This makes it somewhat harder to produce a clear sound. The difference is small, but audible. Also, this type of headjoint has a little more resistance in the higher notes.

How does a sound wave travel trough a bend?
Unlike moving air, pressure distributes itself evenly in all directions. This is why a bend does not hinder the air wave. But the wave exhibits a peculiar behaviour: it will try to cut a bend short. This will effectively shorten the path of the wave, so the pitch goes up. Only a little bit, but enough to throw an instrument out of tune. Scientific research has recently proven that the effects can be compensated by minute restrictions of the bore. Instrument makers have known this for centuries. The difficulty is not as much making the bend to work. The difficulty is combining the subtle Boehm parabola in the headjoint with the bends and its acoustical compensations. Our headjoint bores are designed by hand, then the compensations are calculated in a spreadsheet and the result can be seen in CAD file (Computer Assisted Design).

How does a flute work? You may think of a flute as an air duct, but it is not. It is a pressure duct. Waves travel down the tube and impart some of their energy on the surrounding air. But some of the wave bounces back into the tube. At certain frequencies, the waves arrive back at the embouchure hole the same moment a new wave starts. So the up wave coincides with the down wave. By this mechanism, sustainable waves are formed at the harmonic frequencies.

Cecilia Oomes
play sound file

 

 

 

What are the effects of bends on the sound in general?

home, contact, route, links ,testimonials, FAQ, prices, test set
swan neck headjoint, swan neck details,
vertical headjoints, vertical hj details,
sound
, headjoint making,key modifications, adaptive winds
order, terms of business

 

 

 


air waves

Animation courtesy of Dr. Dan Russell, Kettering University.

 

Subpage Title
Home Swan Neck Swan neck
Swan neck details
Vertical Headjoint Vertical headjoint
Headjoint details
Product info Test set
Sound and acoustics
Key modifications
Adaptive instruments
Headjoint making
Prices
Ordering Order
Terms of Business
General info Contact
Route
Testimonials
FAQ
Sitemap
About
Links

Next Steps

Maarten Visser“Cutting embouchure holes has some things in common with waterpainting. One, you cannot hide a mistake. 2, You have to know when to stop or you may ruin the piece. ”

- Maarten Visser   

Mini-FAQ How are they made? How does it feel? How much do they cost? How do I order?

Flute acoustics is an extremely complicated bussiness, spanning from transmission line mathematics to fluid dynamics. I admid to over-simplifying matters. Believe me, I had to.